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Friday, 18 October 2013

Panel Discussions, Master Class and Academic Activties_Schedule_15th Mumbai Film Festivial



                                Date
Metro Screen 1
Metro Screen 3
Metro Screen  2
Metro Screen 4    

  18th Oct
FRIDAY
1pm -2pm

Leos Carax
in
Conversation
2-3pm

Open Forum
PANEL
Do film festivals help films achieve success
12 -3 pm

 12.30-3pm
MFM
----------
6pm : screening of
Restored –Classics silent film screening::
Blackmail with live music being played.


19th SATURDAY


2-3pm
Open Forum
Panel
Alternative distribution plan for Indie films
12 – 3pm
Oscar Academy Masterclass with
Robert Neuman
12.30 – 3pm
MFM


20th SUNDAY

Indian Popular film Screening
1-2pm
Costa Gavras
in
Conversation

2 -3pm
Open Forum
Panel –Rejuvenation of Marathi Cinema


21st METRO
MONDAY
Indian Popular Film screening
2-3pm
Open-Forum panel :
Portrayal of women in cinema



22nd  OCT
TUESDAY
Indian Popular
Film Screening
2-3pm
Open-forum panel:
Crowd culture
12 – 3pm
Oscar Acdemy/presentation
3D Screening of LITTLMERMAID


23rd  OCT
WEDNESDAY
Indian Popular Film Screening
1-30 – 3pm
Waris Hussein
in conversation
12-3pm
Master class -
Music Composer

24th  Oct
THURSDAY


1-2pm
Bruce Beresford
Master class


LIBERTY CINEMA
Date/Time
Venue/Event
18th FRIDAY
7pm
LIBERTY THEATER
Opening of  FrenchRendez-vous
18th FRIDAY
time
LIBERTY THEATER
Opening of Spanish Retrospective
20th  Sunday

6 pm – 7pm

LIBERTY-THEATER
Oscar Academy Presentation     
DIGITAL DILEMMA

22nd  TUESDAY

6pm – 8pm

LIBERTY Balcony
Consulate of CANADA & Consulate of Quebec
Reception (PRIVATE)

22nd  TUESDAY

8pm

Liberty Theater
Screening of Canadian film
Vic + Flow









OPEN FORUM PANELS

Oct 18th, 2-3pm, Screen 3, Metro Cinema
Do film festivals help films achieve success?
Speakers :  Marc Baschet( French  producer of  Oscar winning films No Man’s Land, An episode in the life of an iron picker), , UmeshKulkarni, Anand Gandhi, Peter Van Hoof ( Programmer, International film festival of Rotterdam)
Moderator : Liz Shakleton, Asia chief, Screen International

Oct 19th, 2-3pm, Screen 3, Metro Cinema
Alternative distribution plan for Indie films.
Speakers : Isabelle Dubar, GuneetMonga, Shubra Gupta, NandiniMansinghka
Moderator : Chris Hainsworth





Oct  20th, 2-3pm, Screen 4, Metro Cinema
Rejuvenation of  Marathi Cinema presented by AkhilBhartiy Marathi ChitrapatMahamandal in association with MAMI
Speakers : Sanjay Jadhav(director -Duniyadari )
2.Amitraj (Music -Duniyadari )
3.Ashutosh Ghorpade (Director -Cultural Affair -MH GOVT )
4.Dipti D'Cuna (Film Festivals)
5.Ambar Hadap (Story -BalakPalak )
6.Avinash (Music-PremachiGosht )
7.Jayesh Mujumdar (Producer -Viacom 18)
Moderator: Vijay Patkar

Oct  21st, 2-3pm, Screen 3. Metro Cinema
Portrayal  of women in cinema
Speakers: Shobhaa De, Nandita Das, SriramRaghvan
Moderator :MayankShekhar

Oct 22nd, 2-3pm, Screen 3, Metro Cinema
Crowd Culture
Speakers:Satish/ Yogesh: Catapooolt ,Nandini: (Idyabooster-) ,AmeetNaik:( Naik and NaikAssociates ), SarthakDasgupta



Q & A’s
Oct 18th, 1-2pm , Screen 1, Metro Cinema
Leos Carax in Conversation with Ian Birnie

Oct 20th, 1-2pm, Screen 3, Metro Cinema
Costa Gavras in Conversation with Daniel Kothenshulte
























MASTERCLASSES

Oct 19th, Saturday, 12noon, Screen 2

GETTING PERSPECTIVE:
THE ART AND SCIENCE OF 3D MOTION PICTURES
Presented by the Academy of Motion Picture Arts and Sciences

Hosted by Robert Neuman

As developments in 3D technologies and digital projection continue to advance, filmmakers are expanding their use of 3D into a wider range of movies in ways that are more immediate and visceral than ever before.

Hosted by Academy member Robert Neuman, "Getting Perspective" will serve as a stereoscopic primer, exploring basic mechanics of the medium including interocular distance, audience position, active vs. passive glasses, and circular vs. linear polarization, then delve into such issues as before-screen vs. behind-screen 3D convergence, audience eye fatigue, adapting big-screen 3D effects for video, the challenges of subtitling, and where stereoscopic 3D film production may be heading in the future.


October 20th, Sunday at the Liberty Theater, 6 p.m

The Digital Dilemma:
Motion Pictures At Risk in a Digital World
Presented by the Academy of Motion Picture Arts and Sciences

2007’s landmark study from the Academy of Motion Picture Arts and Sciences on digital motion picture preservation issues, The Digital Dilemma, reported from the perspective of the major motion picture studios and large commercial and government organizations. A new study, The Digital Dilemma 2, reports on digital motion picture preservation issues from the perspective of independent filmmakers, documentarians and nonprofit audiovisual archives. Independent filmmakers produce 75 percent of theatrical releases in the United States, and there are more than 1,000 nonprofit audiovisual archives worldwide. These groups often lack the resources, personnel and funding to address sustainability issues, and they face their own version of the digital dilemma.
The Academy will discuss the report’s findings, which include proposed interim options for these independent filmmakers and nonprofit archives to consider.
Presenters:
Milton Shefter, Academy of Motion Picture Arts and Sciences member and Digital Motion Picture Archive project lead
Andy Maltz, director of the Academy of Motion Picture Arts and Sciences’ Science and Technology Council

The program will include a panel discussion moderated by Variety’sAsia Bureau Chief, Patrick Frater.


October 22, Tuesday, Screen 2, Metro Theater, 12 p.m.

GETTING PERSPECTIVE:
THE LITTLE MERMAID 3D
Premiering a 3D digital projection courtesy of Walt Disney Studios

Presented by Academy member Robert Neuman
Introduction, followed by the screening of THE LITTLE MARMAID

In conjunction with “Getting Perspective: The Art and Science of 3D Motion Pictures,” the Academy of Motion Picture Arts and Sciences presents the Indian premiere of “The Little Mermaid 3D.”

Based on the Danish fairy tale by Hans Christian Andersen, “The Little Mermaid” tells the story of a mermaid who falls in love with a human prince. The film is credited as launching the Disney Renaissance, a period that gave birth to such hand-drawn classics as “Beauty and the Beast” (1991), “Aladdin” (1992), and “The Lion King” (1994).

Preceding the screening, Walt Disney Animation Studios’ stereoscopic department head, Robert Neuman will discuss the process and challenges of crafting stereoscopic-3D versions of existing 2D animated films.


Oct 23, Metro Cinema, 12-3pm, Screen 2
Music Composer Masterclass
Speakers:AchileForler (MD of Universal Music Publishing India)
                    Lucy Launder (Head of Mastering at Abbey Road Studios)
                     Christian Wright (Mastering Engineer Abbey Road Studios)
                     Jonathan Allen (Mix Engineer Abbey Road Studios)
Moderator:  Andrew Mackay
Oct 24, Metro Cinema, 130pm – 3pm, Screen 3
Masterclassby Bruce Beresford on Preparation by the Director
A key factor in this preparation is story boarding the scenes. An invaluable tool, especially for young directors working on their first feature. Storyboards force the director to think about what it is he or she is doing ; how the visuals will relate to one another and how different angles,lensesetc will best tell the story and reveal the characters. 



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